Old Dominion University
Losing Sight in the Darkest Night:
How fans and DC Comics have lost the will of their most powerful property
Christopher Kozak
Superheroes and US Media ENGL795/COMM 795/ HUM 796
Dr. Avi Santo
Due 8/11/2014
With the onset of the San Diego International Comic Convention, fans preform a Hajj to their native land. A fertile land of lush red stained hotel carpeting and comic vendors as far as the eye can see. Die-hard fans lines up days in advanced dressed in their favorite hero’s costume. Creators of the most famous comic book characters arrive to lavish god-like praise. America has been swept away with a new found love for comic books. Our movies and televisions are sending us a constant stream of everything from Superman and Batman to Wolverine and The X-Men. Almost every boy and girl’s lunchbox has splayed across in dynamic fashion, a grown man in red and blue spandex, web-slinging his way through downtown New York City. In order to have such a diverse fan base a concrete foundation must exist to help form these million dollar businesses. One such franchise hero is The Green Lantern. There have been many characters to tackle the mantle of being a Green Lantern over the years and the stories have only allowed the fans to debate further. The question is why and what makes these fans so fanatical and how do comic companies reciprocate that love?
The Green Lantern has appeared in a number of different media sources. Over seven different cartoon versions of the hero exist, including one where Daffy Duck becomes the Green Lantern. Most recently Cartoon Network aired a very popular version which did not focus on the hero’s origin at all; rather aiming to introduce to the many different types of lantern power rings in the DC comics universe. However, in 2012 the show was cancelled building to the rage of most of the adult viewing fans. But, when these same fans were polled on whether they would choose a new cartoon series or one more live action movie, more than 65% chose the live action version. The constant ebb and flow of fans loyalties seem to totally consume the desires of comic creators. Over the years, to be a fan has gained popularity in the media amounting to a dividing filiality of the fans to the comics industry. This divide is due to an imbalance between the fans individualistic desires and the comic publishers. In the case of The Green Lantern, DC comics have tried to meet ALL of their fans needs at once while still trying to reach new fans in the process. DC comics and the fans want to see themselves as the heroes of these stories, but even heroes can hold a dark past.
For the fans part in their own dark secret identity, they turn to a grey economy, an above ground market dealing with underground goods. The fans love these stories of the cosmic police zipping through the universe. Occasionally a story will come along that entices their imaginations. But then, in a flash as bright as the Lantern Core on Oa, the tale that they love is gone and the writing staff has moved on to the next flavor of the week. That desire for more will send fans on an outward trajectory for uncharted space. They bump off the path selected for them by the industry of movies and comic pages and move toward the internet and convention circuit. Now the cyclical nature of fandom spurs along where fans of the property want to buy a certain iconic product; say a Green Lantern “blackest night” power ring. DC comics do not manufacture such a product, so the fan returns home disillusioned about the franchise that they love so much. It is this longing that creates a will and imagination reminiscent of the Lantern Crops themselves. These creative fans begun to craft what they wanted to buy in the first place. Perhaps they bring their inventions to a friend or comic convention and a few people ask to have a copy for themselves. Now the fan is creating for the fans and slowly the market begins to exclude the very property in which they were originally formed. This same cycle continues through many aspects of fan culture. Although socially, DC would appear to reach out for a more diverse population of readers, they constantly return to waffling to the current “loyal” fans desires. DC has lost their power of will. The industry as a whole has lost sight of what it IS to be a Green Lantern; to be a part of a fictional world as a small part in a world saving whole. For evidence of this look no further than the grey economies of comic conventions, podcast swag, and websites like Etsy.com. Here creative fans peddle their homemade goods to money drenched cash cows ready to pounce on the first hero merchandise that they can fine. The comics industry continues to feed the beast of limited edition figurine models and specialty signed issues of Hal Jordan’s decent into the evil being, Parallax. Although these products sell, they are not even close to the small incomes that form for simple silk screened T-shirts, hand crafted fiber glass masks, and cheap plastic rings. The industry tries to turn a larger profit by using catch phrases like, “The Movie Edition” or “The Limited Blackest Night Kyle Rayner version”; but the truth continues to escape their sight. But unlike the mega money makers like Batman and Superman, no fan wants a limited Hal Jordan figurine. THEY want to BE the next Green Lantern, themselves.
Who wouldn’t want the power to construct a real world object from their minds, to be able to bring their very imaginations to life? The Green Lantern stories embody the very nature of free will and creativity. DC comics have invented their own way into the superhero hall of fame time and time again. But the very originality of the story is ultimately debated and proven by fans to be plagiarized. Through different in a few respects the main thrust of the magically imbued space cop was established in a popular novel series. E.E. Smith’s “Lensman” series began with the novel “Triplanetary”, first published in 1937. The lens gave these guardians of interstellar law many powers, including the ability to understand alien languages. Only one year later Bill Finger and Martin Nodell would introduce the power rings of the Green Lantern Corps to the world. While denying any connection to the novels, the new comic hero has far too many of the same trappings to not be at least inspired by the Lensmen. Creative works often build on each other. A small camp of readers may fight battles over the validity of such claims while others will acknowledge the obvious connections fan community’s unrest on the matter can be seen through later writers of The Green Lantern making nods to Arisia and Eddore, words unique to “Doc” Smith’s fiction. Still claims could be made that the Green Lantern’s stronger stories lead to the eclipse of smaller ideas, like “Lensmen”. And that the world could be found in the fabric of any space peacekeeper stories. These rifts create tension across the media where fans gather. Derek Johnson refers to these disputes as a “Fan-tagonism”, which if not controlled can lead to a loss of the creator’s grand narrative. If an argument is made that silver age hero, Hal Jordan, is the best Green Lantern then a choir of descending voices will rise up. They have said that Jordans’ fall in to the villainous person of Specter makes him irredeemable. Both are right, in their own ways. But, fans are rarely satisfied by having multiple “correct” answers. So they bicker and feud. But, one place they can come together on is in their fan fiction. This wild west of fan produced dream stories allows for anyone to see any aspect of the stories as they would like them to be. In fan fiction, Hal Jordan can live on in his prime by having to never face the destruction of his home, Coast City. In these stories, Hal will never be wracked by the all-consuming grief that warped him into the vengeance seeking ghost, Specter. On the flipside, the fan fiction writers may choose to keep him locked as the cosmically tortured wraith forever. A being never seeking or hoping for redemption, as others take on the responsibility of his Green Lantern power ring. These tales of “What If?”, allow a refuge from the warring fans and the constant changes in the regular comic book continuity.
In essence both the publisher and the fans have built their myths upon lies. These stolen ideas are justified by their ability to serve the creators to reach their own personal goals. In the same way, pushing beyond the grey economies, the blackest night of social agreements can be found online. It is often said that people vote with their money, and to a great extent that statement is true, but while speaking to a property that is already based out of a lie why then would the money it earns be any different. What people aren’t willing to buy can sometimes speak even more towards their true desires. There is a small crack in our social economic agreements that the real black market fills. In a few clicks of the mouse a fan can outright steal a selection of media. Thanks to bit torrenting websites such as Isohunt.to, torrentz.eu, and the fan and away leader in the game thepiratebay.se. In these online downloading dens, the honor among thieves is stretched to its limits. When everyone accepts the fact that they are stealing, then why bother being polite about it? Comments from fans with names like, Highresjunkie, sarsky, RaidDeamon, and Superflow do not add up to the codenames of an international internet hacking syndicate. Rather, these are not die hard anarchists out for the wanton destruction of the capitalist lifestyle; they are simply your neighbors who do not want to pay a dollar to see the schlock 2011 Ryan Reynolds Green Lantern movie. A constant rabble roars in the comments section focus on the quality of video and audio. How their video is better than any others. The thieves who are actually peddling their goods seem to get off by adding to their download counter. It is obviously not about income but instead their pride is raised by being the best. The users go as far as to have the highest quality sound and HD video even, in some cases, adding over 40 subtitles languages and capacity for 3D viewing. Some users will even eventually earn different badges ranging from “VIP” to “Untrusted”, depending on their online activity. They have even begun to have fans of their uploading techniques. Also, fans will warn each other about how legitimate they believe another user is and if they could in some way be linked to the police. Even in this black market environment the fans still feel their need to assess their nerd knowledge and fan fiction spirit by making off color comments. They still debate on the merits of the movie in comparison to the comics, commenting on how “it’s all in the eye of the beholder; I thought the film was very good.” (user: Ganesha69).
Even more interesting is the sheer data that can be extruded from an illegal source like The Pirate Bay. Movie files are uploaded to and from the website one bit at a time. In this process there are two groupings of users, seeders and leechers. Each amount of the two groups will assist in your own personal download; ranging from the speed in which the file can be acquired to the level of risk in a future arrest. A seeder is someone who is hosting the file so that the more of these users the more places you would have to download from and thus the file comes much quicker. A leecher is what you are when you are actually downloading the file, you are taking it one piece, or bit, at a time from the seeders. A movie like the 2011 flop, The Green Lantern still has around 100-300 seeders and around 50 leechers. For a matter of perspective, a more recent movie like Guardians of the Galaxy has 12,167 seeders and almost 5,000 leechers; keeping in mind that is for a camcorder recording from a theater, not a DVD version. To compare apples to apples, another 2011 superhero movie, X-Men: First Class still hangs on to about 1,000 seeders and 200 leechers. A more dynamic study of how those number shift over the years would be useful but simply observing through the here and now, one can easily see that the Green Lantern franchise is not even worth stealing.
Than fans red raged hatred of the 2011 movie can be traced through online forums to how they handled simple things like the casting and costuming of the emerald hero. Even the actor portraying Hal Jordan, Ryan Reynolds, felt the need to speak out to the online communities on behalf of the charges to the iconic costume;
“It has to be virtual rather than spandex. This is a suit from an alien planet. It’s not ‘The Dark Knight’ I don’t put the suit on and my voice drops several octaves. The suit is powered specifically on [Hal’s] will, his emotion, his creativity and his imagination. I love that.”
As much as the actor and creative directors may have loved the costuming decision, the fans almost unanimously despised it. After the painful explosion of fan hatred of the Ryan Reynolds Green Lantern movie, creators are understandably wary of future film adaptations. This fear has not stopped fans from dog piling online and barking out their ideas of which actor should carry on the traditions of the character in future movies. Suggestions are a buzz from Terry Crews, Chiwetel Ejiofor, Michael Jai White, Chadwick Boseman, and most highly requested Idris Elba; who is most known in action movies and TV as in The Wire, Heimdall in Marvel’s “Thor”, and Stacker Pentecost in “Pacific Rim”. Even Dwayne “The Rock” Johnson has made his opinions known on social media by stating that he as The Green Lantern could take down Superman any day. With a 2016 tentative release for “The Justice League” live action movie and then a 2017 release date for a Green Lantern and Flash team up in the works; it is obvious that DC is still taking its fans advice. As seen in the majority of the suggestions, fans now crave John Stewart to be represented as their live action Green Lantern. On the popular ComicVine.com, user Osiris428 posted;
“Justice League the animated series aired between 2001 and 2004. Justice League Unlimited ran from 2004 to about 2006. The Green Lantern most kids got to know was John Stewart. Understand comic books (are) not as (accessible) as cartoons. It’s nothing for a comic geek to get up, get in their car or bus or walk to the comic store to find the comic (that) they want. It’s nothing for everyone else to sit on the couch, grab the remote and watch cartoons. Millions watched JL and JL:U. Today you can barely get 10,000 on a flagship [printed comic book] title.”
The race of a character has always brought about disunity in the readers, almost as much as religion. In 2012, DC introduced the newest of Earth’s Green Lanterns, Simon Baz, a Lebanese-American. His character is tied instantly within and outside of the comics to a religious based terrorism. This is because Simon is of an Arab decent and has a tattoo reading the word “Courage” in Arabic. This tattoo not only acts as a religious signifier but also has caused waves in how it is meant to be interpreted. Tattoos are strictly forbidden in the Muslim faith. The readers hope that this could be explained away because the tattoo is made of Lantern energy and therefore are not permanent, but it feels more like a cheap cash-in on DC’s part. These kinds of fan arguments are sadly, not new. Publishers have been cashing in on small spikes in the story or character creation. Even with something as simple as gender or sexual identity, women continue to be a small off shoot in the Green Lantern tales. From the cool chill of refrigerators to the “brave” introduction of Cary Wren, a female Lantern and the revision of Alan Scott, a homosexual Green Lantern, they always leave more to be desired. The obvious gimmicky nature of these characters is sparked online after the understanding that they both reside in Earth 2, an alternate universe and that Cary Wren was given a SPARE power ring and lived in the 31st century. Her character is also constantly worried about her many relationships with other emerald clad boyfriends. The fans and the corporations’ investments become a debate of Avarice verse Integrity. The gimmicks and placation of DC comics, once again, show through while trying to keep their current fan core and reach newer readers. In the comic book, The Green Lantern Corps pride themselves on their will power seeing them through any dark day that may come in their future. But, seen time and time again, the fans outrage at the smallest of changes and DC folds to their demands. This kind of moves ends up pleasing neither party. Fans desire more and publishers, like DC comics, desire more fans. This constant butting of heads leads to a steady impasse where DC will source newer fans by pumping out butchered retellings of older stories and the fans turn inwards to find a new source of entertainment.
In this way, the fans have begun to form their own universe through fan fiction and fan art on websites such as DeviantArt.com. A major stride often found through “fan-fic” is to combine different fictional worlds. The fans end up using their own textual poaching to side step the holy text of comic book canon. Ironically, those same fans will always refer back to the industry for confirmation, as a way to prove their wealth of comic knowledge. Similarly, in 1996 both Marvel Comics and DC combined their characters under the Amalgam Comics publishing name. Most of the Green Lantern fan-fic out there involves the Corps meeting up with Harry Potter or the gang from The Big Bang Theory. Through a first reading, the papers are shallow and self-serving, but there is plenty of room for new ideas to arise. Through this gateway of literary self-service there grows a need to push the envelope even further. Leading to things like, “Yiffing” also known as sex based stories. Furry is a small movement in the cosplay, or costuming convention world, where people see themselves as anthropomorphic animals. Taking this imaginary costumed life style on a more sexual bent while still incorporating licensed material for another “What If?” scenario. Other dark alleyways in fan-fiction can be things like “Yaoi” and “Yuri”, a type of homosexual Japanese writing. Most notably the fan writing communities online have turned to “/ fic” (pronounced “slash fic”), a type of fan work depicting two characters, not necessarily from the same fictional universe partaking in an amorously based adventure. The need for fan communities to venture into a sexually devious world seems quite prevalent. From transgendered Sailor Moon and Green Lantern to Alvin and the Chipmunks and Green Lantern, it would appear that any crossover inevitably leads to some strong sexual desire.
This thought is echoed again throughout the online forums such as very popular BlogOfOa.com. It is easy to see how the fans are ready for a change, but that they still cling to a certain level of yellow hued fear as well. If DC would stop bending to the old fans who want nothing to change and the new “/ fic” fans who want to change it all, and simply follow their own will; as professed by the very characters that they want to move with into the next century, perhaps they may see the emerald power that the franchise holds. No one will ever buy a Hal Jordan or Guy Gardner T-shirt. No one ever seeks out a limited edition Sinestro power ring; instead they may choose to buy a Yellow power ring. This can also be seen in Youtube.com fan videos and the ComicCon cosplay creations. Their costumes may link back to a famous comic book hero, but they always put their own spin on the creation, thus making a NEW character. The fans of The Green Lantern want to live out their own slice of the cosmic lore. In certain areas of the world, the green lantern character goes unknown. But, the more new lanterns that are introduced, the wider and more diverse of an audience will be drawn to the tales of their own empowerment. In the myth of Green Lanterns is that the ring chooses you. And just like the ring itself, over the years the stories have gained a will of their own. They have begun to organically grow through the fan communities. Keeping true to the imagination, creativity and will of what it is to be a Green Lantern. If DC and the fans only open themselves up to allow their own personal hero through, then someday we could all have the potential to be Green Lanterns in the Corps. A million beacon in the black of night, rather than seekers of a single point of green light.
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